{"id":3645,"date":"2021-01-05T11:51:00","date_gmt":"2021-01-05T17:51:00","guid":{"rendered":"https:\/\/estateofmariafelix.com\/es\/?page_id=3645"},"modified":"2021-02-05T23:14:37","modified_gmt":"2021-02-05T22:14:37","slug":"une-legende-mexicaine-1961-1980","status":"publish","type":"page","link":"https:\/\/estateofmariafelix.com\/fr\/une-legende-mexicaine-1961-1980\/","title":{"rendered":"Une l\u00e9gende mexicaine 1961-1980"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1583291201701{background-color: #c8c1a2 !important;}”][vc_column][vc_single_image image=”2142″ img_size=”full” alignment=”center” el_class=”el_prestigio_img”][\/vc_column][\/vc_row][vc_section full_width=”stretch_row_content” content_placement=”middle” css=”.vc_custom_1583547391402{background-image: url(https:\/\/estateofmariafelix.com\/es\/wp-content\/uploads\/2020\/03\/pattern_marmol_3-1.jpg?id=3305) !important;background-position: 0 0 !important;background-repeat: repeat !important;}”][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1962<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Dans La Bandida<\/strong> l’\u00e9ventail des \u00e9motions est pr\u00e9sent il pleure, rit, chante et souffre, insulte et se bat dans ce qui semble \u00eatre le r\u00f4le le plus vigoureux de sa carri\u00e8re, secouant \u00e0 nouveau le double standard de l’\u00e9poque, qu’il gagne, arguant qu’aucune prostitu\u00e9e ne m\u00e9rite d’\u00eatre heureuse.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]La r\u00e9v\u00e9lation dans un r\u00eave inconstant plein d’ironie et de com\u00e9die, lui permet de se moquer d’elle-m\u00eame en r\u00e9p\u00e9tant l’hilarit\u00e9 de sa pr\u00e9sence dans le film Reportaje<\/em>. La petite participation de Mar\u00eda s’interpr\u00e9tant dans le film S\u00ed Yo fuera millonario <\/strong>cela lui rapporte l’une des plus grosses sommes jamais offertes dans sa carri\u00e8re.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Enrique \u00e9tudie les sciences politiques \u00e0 l’Universit\u00e9 nationale autonome du Mexique en vue d’une carri\u00e8re diplomatique.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2822″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1963<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Dans la maturit\u00e9 de sa carri\u00e8re et de sa vie, \u00e0 49 ans, il propose en Amor y Sexo <\/strong>une sc\u00e8ne de lit nue et suggestive avec Julio Alem\u00e1n. Le sc\u00e9nario ne l’a pas pr\u00e9vu et c’est elle qui le propose \u00e0 la recherche d’une am\u00e9lioration dramatique dans l’une des sc\u00e8nes de la prison. Au scandale de la sc\u00e8ne s’ajoute l’\u00e9l\u00e9vation de la vie sexuelle entre une femme plus \u00e2g\u00e9e et un jeune homme.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2623″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Le milieu journalistique international reconna\u00eet sa carri\u00e8re en lui proposant des couvertures dans les principaux magazines sp\u00e9cialis\u00e9s.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Visitez Lima, au P\u00e9rou, lors d’une tourn\u00e9e internationale.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Elle est interview\u00e9e par l’animateur de t\u00e9l\u00e9vision p\u00e9ruvien, Luis \u00c1ngel Pinasco.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Le film La Valentina <\/strong>Sur un ton comique, il perp\u00e9tue son image en chantant et en dansant aux c\u00f4t\u00e9s d’Eulalio Gonz\u00e1lez, Piporro. Une belle mari\u00e9e qui est belle dans la cinquantaine, et qui semble intemporelle, est plausible sous le mythe de la beaut\u00e9 \u00e9ternelle de l’actrice qu’elle tient depuis de nombreuses ann\u00e9es.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Diverses tentatives biographiques circulent en proie \u00e0 des incoh\u00e9rences qu’il ne reconna\u00eet pas.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”3295″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Il entretient une solide amiti\u00e9 avec Renato Leduc et sa femme Leonora Carrington qui ont peint pour lui le triptyque surr\u00e9aliste. Sue\u00f1o de Sirenas.<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1964<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Enrique fait ses d\u00e9buts artistiques dans une production d’Ernesto Alonso, peu de temps apr\u00e8s que Luis Bu\u00f1uel l’int\u00e8gre au casting d’un de ses films.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2593″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Graver le disque La voz de Mar\u00eda y la inspiraci\u00f3n de Agust\u00edn Lara<\/em>.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1965<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2594″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Leonora Carrington peint le tableau grand format La Maja del tarot <\/em> qui occupe le mur o\u00f9 se trouve le portrait r\u00e9alis\u00e9 par Diego Rivera en 1949.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1966<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Il confie \u00e0 Cartier la conception exclusive d’un collier en forme de serpent en platine, or et \u00e9mail recouvert de 2500 diamants.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2595″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1967<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2927″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Re\u00e7oit symboliquement d’Alex Berger ce qu’il consid\u00e8re comme son plus beau cadeau; le projet de construction du m\u00e9tro de Mexico. Dans sa maison de Polanco, des accords sont conclus entre les autorit\u00e9s et l’entreprise de son mari.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1968<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Elle est interview\u00e9e par Jacobo Zabludovsky et Pedro Ferriz Santa Cruz dans le programme Automex Presenta<\/em>.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1970<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2597″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Avec La Generala <\/strong> Il cl\u00f4t sa carri\u00e8re au cin\u00e9ma en semant dans l’imaginaire populaire le parall\u00e9lisme de Mariana Sampedro avec l’id\u00e9e impudente d’un inceste entre nourrissons, et la mort d’un fr\u00e8re sous trahison.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Elle dit au revoir au cin\u00e9ma \u00e0 c\u00f4t\u00e9 de son mari Alex Berger, qui est l’un des principaux investisseurs. L’\u00e9v\u00e9nement semble fortuit dans la recherche d’un sc\u00e9nario important pour la r\u00e9alisation d’un film de plus grande envergure, qui, dans les d\u00e9cennies suivantes, n’arrive pas.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Il prot\u00e8ge sa riche personnalit\u00e9 des \u00e9chos filmiques dans l’intimit\u00e9 de ses maisons \u00e0 Mexico et \u00e0 Paris. Ses apparitions sont sporadiques, mais d\u00e9j\u00e0 sous l’objectif de la t\u00e9l\u00e9vision.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2598″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Enregistrez le feuilleton historique La Constituci\u00f3n <\/em> sous la direction de son ami Ernesto Alonso.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Il se rend \u00e0 Caracas, au Venezuela, pour enregistrer certains chapitres de la telenovela\u00a0Cristina\u00a0<\/em> dans le r\u00f4le de Domenica, La Leona.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2599″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Sa pr\u00e9sence est inscrite dans les sc\u00e8nes de la mode, de l’intellectualit\u00e9, de la haute soci\u00e9t\u00e9, de la collection, du monde \u00e9questre, de l’art et de la cin\u00e9matographie.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1974<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Mourir paisiblement Do\u00f1a Josefina G\u00fcere\u00f1a chez sa fille \u00e0 Polanco.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]A Paris, Alexander Berger meurt d’un cancer du poumon. De nouveau veuve, dans une profonde solitude, elle fait face \u00e0 un processus d\u00e9pressif \u00e0 la clinique Mayo de Rochester.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2823″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1975<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2756″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Il confie \u00e0 Cartier la r\u00e9alisation du bijou le plus extravagant et embl\u00e9matique de sa collection, un collier au dessin de deux crocodiles sertis dont la structure en or est recouverte de 1023 brillants jaunes et de 1060 \u00e9meraudes serties.[\/vc_column_text][vc_column_text el_class=”linea-tiempo texto-linea”]Produit d’une relation \u00e9ph\u00e9m\u00e8re et tourment\u00e9e avec un jeune parisien; il compose la chanson Je l\u00b4aime \u00e0 morir<\/em>. Francis Cabrel l’annoncera deux ans plus tard.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1976<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Il se rend \u00e0 Ciudad Nezahualcotl au cin\u00e9ma Aurora pour d\u00e9voiler la plaque de rue qui porte son nom \u00e0 la demande des voisins. Carlos Monsivais en fait une chronique int\u00e9ressante.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1979<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][vc_single_image image=”2601″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Dans l’\u00e9mission Siempre en Domingo, anim\u00e9e par Ra\u00fal Velasco, l’auteur-compositeur-interpr\u00e8te Juan Gabriel lui d\u00e9die la chanson Mar\u00eda de todas las Mar\u00edas.<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”]<\/p>\n

1980<\/h3>\n

[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Il re\u00e7oit un hommage \u00e0 sa carri\u00e8re au Festival du film ib\u00e9ro-am\u00e9ricain de Huelva, en Espagne.[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-c” width=”1\/3″][vc_column_text]<\/p>\n

<\/div>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”cajas-linea-info-b” width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1583291201701{background-color: #c8c1a2 !important;}”][vc_column][vc_single_image image=”2142″ img_size=”full” alignment=”center” el_class=”el_prestigio_img”][\/vc_column][\/vc_row][vc_section full_width=”stretch_row_content” content_placement=”middle” css=”.vc_custom_1583547391402{background-image: url(https:\/\/estateofmariafelix.com\/es\/wp-content\/uploads\/2020\/03\/pattern_marmol_3-1.jpg?id=3305) !important;background-position: 0 0 !important;background-repeat: repeat !important;}”][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” css_animation=”fadeIn” el_class=”ajuste-caja”][vc_column][vc_row_inner][vc_column_inner][vc_wp_text el_class=”linea-tiempo”] 1962 [\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”cajas-linea”][vc_column_inner el_class=”cajas-linea-info-a” width=”1\/3″][vc_column_text el_class=”linea-tiempo texto-linea”]Dans La Bandida l’\u00e9ventail des \u00e9motions est pr\u00e9sent il pleure, rit, chante et souffre, insulte et se bat dans ce qui semble \u00eatre le […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"visual-temlpate.php","meta":[],"yoast_head":"\nUne l\u00e9gende mexicaine 1961-1980 - 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